Bibliographie complète

Informatique Musicale : Support de cours (Licence et Maîtrise d'Informatique). Textes choisis par Eric Daubresse et Serge Lemouton, Université de Paris 8/St Denis, 1997.
BATTIER, Marc : Eléments d'informatique musicale, IRCAM, Paris, 1989.
CHAMBERLAIN Hal : Musical applications of microprocessors, Hayden, Rochelle Park, N.J., 1980.
PIERCE, John.R. : Le son musical, musique, acoustique et informatique, Belin, Paris, 1984.
DODGE, Charles & JERSE, Thomas A.: Computer Music, Synthesis, Composition and Performance, Schirmer, New York, 1985.
MOORE, F.Richard : Elements of Computer Music, Prentice Hall, Englewood Cliffs, 1990.
MATHEWS, Max V.: The Technology of Computer Music, Cambridge, Mass., M.I.T. Press, 1969.
MOORER, J.A. : How Does a Computer Make Music?, CMJ, II.1, pp32-37, 1978. *
ROADS, Curtis & STRAWN, John, ed. : The Foundations of Computer Music , Cambridge, Mass., M.I.T. Press, 1985.
ROADS, Curtis : The Computer Music Tutorial, Cambridge, Mass., M.I.T. Press, 1996.
Computer Music Journal

HILLER, Lejaren : Music Composed with Computers - A Historical Survey, in LINCOLN, Harry B. (ed.) : The Computer and Music , Wiley and sons, New York, 1969 : pp.42-96.
FOBER, Dominique et LETZ, Stephane : Les logiciels d'aide à la composition musicale, in Créativité et informatique , Grame, Lyon, 19xx.
RAHN, John : Le compositeur et ses AMIs.*
La composition assistée par ordinateur, Cahiers Recherche/Musique n°3, IRCAM-CGP, Paris, 1993.

SELFRIDGE-FIELD, Eleanor, Ed. : Beyond MIDI, The Handbook of Musical Codes, Cambridge, Mass., M.I.T. Press, 1997.

CHOWNING, John : The Synthesis of Complex Audio Spectra by Means of Frequency Modulation, in J. Audio Eng. Soc. 21 n°7 (1973) : pp.526-534 - in The Foundations of Computer Music - in CMJ 1 (2), 1977 : pp. 46-54. *
SCHOTTSTAEDT, Bill : The Simulation of Natural Instrument Tones Using Frquency Modulation with a Complex Modulating Wave, in CMJ 1 (4), 1977 : pp. 46-50. aussi dans The Foundations of Computer Music.
VERCOE, Barry, 1988: CSOUND: A Manual for the Audio Processing System and Supporting Programs, Cambridge, Mass., M.I.T., Media Lab.
RISSET, Jean-Claude: An Introductory Catalog of Computer Synthesised Sounds, Bell Labs, Murray-Hill, New-Jersey, 1969
BAISNEE, Pierre-François, et al., 1985: CHANT Manual, IRCAM, Paris.
ROADS, Curtis & ALEXANDER, John : Granular Synthesis, Keyboard, Juin 1997 (VT 12).

International MIDI Association : Musical Instrument Digital Interface Specification 1.0, IMA, North Hollywood, 1983.
International MIDI Association : Standard Midi Files 1.0, IMA, Los Angeles, july 1988. *
What's MIDI ?, une introduction à la norme MIDI, documentation Yamaha.
LOY Gareth : Musicians Make A Standard : The MIDI Phenomenon, in Computer Music Journal, Vol 9, no4, 1985.
MOOG Bob : MIDI : Musical Instrument Digital Interface, J.Audio Eng.Soc., Vol. 34, n° 5, may 1982.
MOORE F.Richard : The Dysfunctions of MIDI, in Computer Music Journal, Vol 12, no1, 1988.
DE FURIA, Steve & SCACCIAFERRO, Joe : The MIDI Resource Book, Ferro Technologies, Third Earth Publishing Inc., Prompton Lakes, N.J., 1987.
DE FURIA, Steve & SCACCIAFERRO, Joe : The MIDI Implementation Book, Ferro Technologies, Third Earth Publishing Inc., Prompton Lakes, N.J., 1986.

MOORE, F.R., 1977: Signal Processing Aspects of Computer Music, CMJ, I-1, pp. 4-37.
DOLSON, Mark: The Phase Vocoder: A Tutorial, in CARL Startup Kit. Aussi in CMJ, X-4, pp. 14-27. *
HAYES, Monson H. : Statistical Digital Signal Processing and Modeling, John Wiley & Sons, N.Y., 1996.
KAHRS, Mark & BRANDENBURG, Karlheinz, Ed. : Applications of Digital Signal Processing to Audio and Acoustics, Kluwer Academic Publishers, 1998.
EMBREE, Paul M. & KIMBLE Bruce : C Language Algoritms for Digital Signal Processing, Prentice Hall, 1991.
DEPALLE, Philippe : Algorithmes de transformatin de Fourier rapide, Ecole Supérieure d'Electricité, 1989/90.
MAX, Jacques & LACOUME Jean-Louis : Méthodes et techniques de traitement de signal, 5ème édition, Dunod, Paris, 2000.
HARTMANN, William M. : Signals, Sound, and Sensation, Springer, 2000.

CHOWNING, John : The Simulation of Moving Sound Sources, in CMJ 1 (3), 1977 : pp. 48-52.
MOORER, James A. : About this Reverberation Business, in CMJ 3 (2) : pp. 13-28.

CHAILLEY, Jacques : Histoire musicale du moyen-âge, PUF, Paris, 1950.
MOLES, Abraham : Théorie de l'information et perception esthétique, Denoël, Paris.
LORRAIN, Denis,1980: Inharmonique, Analyse de la bande magnétique de l'oeuvre de J.-C.Risset, rapport IRCAM no 30.
OLSON, Harry F. : Music, Physics and Engineering, Dover, 2^nd ed., N.Y., 1967.
RUMSEY, Francis & McCORMICK, Tim : Son et enregistrement, Théorie et pratique, Eyrolles, Paris 1998.
SHABANA, A.A. : Theory of vibration, an introduction, Springer Verlag, 1996.